Mrs. Mary Dulcibella Thomas (née Eden) (1834 – 1909) with her second daughter Miss Dulcibel Thomas (1872-1951) outside the drawing room window at Glanmor House, Sketty, Swansea. (The Edens were trusted managers at Vivian and Sons Ltd. The site of Glanmor House is now Long Oaks Court near Myrtle Grove and Glanmor Park Road.) Mrs. Thomas was the second wife of Illtid Thomas (1812 – 89) and Isabel, their eldest daughter, was the first of their children to get married. Frank got on well with his sister-in-law Dulcie and she was a welcome guest on adventurous continental motoring trips.
Lantern slide. Showing the Island of Elephantine. This photograph was taken by Sgt. Johnson of the 436 Welsh Field Company c. 1917. It formed part of a lecture which he gave. The notes from his lecture read 'Here we have the Island of Elephantine which extends for about a mile and a half...One of the most recent finds in recent years was made in 1907. Immediately behind the rest house a chamber was discovered in which were several small stone sarcophagi and on opening they were found to contain the mummies of the sacred rams of Khnum of the Ptolemaic Period....'. This view is similar to EC1750.
Slogan: 1905 led to the victory of the Krasnaya Presna Working Women. Let your heroic struggle herald you victory over capitalism. Long live the proletarian revolution in Great Britain. Long live its skirmishers, the British Miners
Lantern slide. Showing the Aswan. This photograph was taken by Sgt. Johnson of the 436 Welsh Field Company c. 1917. It formed part of a lecture which he gave. The notes from his lecture read 'Here we have a view of Assouan. In ancient remains Assuan is not very rich though such antiquities as are to be found here are of very consierable interest, only a fraction of the ancient buildings are still to be seen even in the ruins...There are new gardens in Assoun which are actually known to be blooming above the libraries of the past but in contemplating such catastrophies one can attach blame to no-one, except perhaps the archaeologist and the archaeologically interested public who failed to excavate these sites while there was yet time. The new buildings, the new roads these new gardens are healthy signs of modern progress which no sane person could wish to check and no man could hope to regulate.'
In 1976, the National Union of Mineworkers (South Wales Area) deposited Andrew Turner's dramatic portrayal of the 1921 lockout with the South Wales Miners' Library. The three panels depict solidarity, betrayal and defeat. (Photograph courtesy of the National Coal Mining Museum for England from their Andrew Turner exhibition entitled 'The Pits and the Pendulums - Coal Miners versus Free Markets' in 2010).
