Photographic portrait of the Honourable Mr Justice Sankey. Sankey was a heroic figure because he recommended coal nationalisation and for that reason his portrait was hung in a place of honour in the South Wales Miners' Federation offices in Cardiff in the 1920s. The portrait is a bequest to the South Wales Miners' Library by the National Union of Mineworkers, South Wales Area.
Recorded memoirs of William Henry Williams. Discusses his activities as secretary of the Canteen Committee in Porthcawl during the 1921 lockout and the support provided by local businesses.
Recorded memoirs of William Henry Williams. Discusses his activities as secretary of the Canteen Committee in Porthcawl during the 1921 lockout and the support provided by local businesses.
Slogan: Forward to Socialism / Ymlaen i Sosialaeth
At the top of the banner is a picture of a colliery and the surrounding area, including a public house called The Dragon. Below left is a picture of an old fashioned miner with a miner's lamp and pick. Below right is a modern miner with a mechanical drill and an electric lamp. Between the two miners is a mine. Bottom centre a yellow circle with a miner's lamp, a leek and a colliery winding tower, depicting the emblem of the National Union of Mineworkers, (South Wales Area), which is surrounded by a laurel wreath.
Mrs. Mary Dulcibella Thomas (née Eden) (1834 – 1909) with her second daughter Miss Dulcibel Thomas (1872-1951) outside the drawing room window at Glanmor House, Sketty, Swansea. (The Edens were trusted managers at Vivian and Sons Ltd. The site of Glanmor House is now Long Oaks Court near Myrtle Grove and Glanmor Park Road.) Mrs. Thomas was the second wife of Illtid Thomas (1812 – 89) and Isabel, their eldest daughter, was the first of their children to get married. Frank got on well with his sister-in-law Dulcie and she was a welcome guest on adventurous continental motoring trips.
The photograph is of academic staff and guests and (likely) Student Officers of the Society. Certainly Colin Evans, here on the extreme left, was then the Chair.
Jersey, Wales. 1957. Red with white collar. Red shield with white border: WRU Empire Games Cardiff 1958 embroidered with leek emblem on breast. White No14 on back. Fund-raising match v International XV. Worn by John Faull.
Gelli Lodge Banner.
Slogan: A J Cook From Obscurity To Respect
A large picture of A J Cook in the middle. In the top left-hand corner there is an intertwined pick and shovel, and in the top right-hand corner there is a colliery winding tower (both sides).
(Left to Right) Standing Back Row: Colin (1877-1906), Frank (1873-1929), Arthur (1841-1912), Cecil (1876-1948), Howel (1874-1923). Seated Middle Row: Meg (Marguerite) (1885-1960), Harriet (1878-1918), Olive (1881-1946). Seated Front Row: George (1886- 1955), Phyllis (1890-1973), Sylvia (1888-1950), Charles (1884-1963), Winnie (Winifred) (1883-1964). Died in infancy: Lettice (1880-1885), John (1891). The sombre expressions of the children are understandable following the death of their mother the previous year: Ellen Gilbertson (née Lloyd) (1850-1894).
Business conditions worsened after 1920 as the post-war mini-boom ended. The trade press responded with promotional material and Frank contributed an upbeat article heralding modern developments and the promise of higher education [21]. W. Gilbertson & Co. Ltd. advertised their full range of products, including some long-established brands which had been manufactured for decades.
This enormous canvas (top) by Percy Gleaves (1882-1944) hangs on the landing of Singleton Abbey, having recently been restored.
Before laying the foundation stone (bottom left), King George V presents the Royal Charter to Frank Gilbertson, first President of the University College of Swansea. The foundation stone was subsequently “lost” in the Swansea Corporation yard for 17 years [15, p. 89] until it was re-laid in the wall of the 1937 Library (bottom right), the first purpose-built permanent building to be constructed on the campus.
The hefty chains holding the stone suggest industrial heavy engineering – not inappropriate to the founders of the institution. The sunny parkland setting and rather naive style of the painting add to the air of symbolism.
The pamphlet consists of a discussion on the role of wages and the price of coal in relation to the events of the 1921 lock-out. The narrative describes in detail how the Government and Coal Owners’ plan would impact different coal producing areas and individual collieries. An emphasis is placed upon the question of why these two organisations were so adverse to treating the coal industry as a single homogenous unit.
This extract deals with the government’s plan regarding decontrolling the coal mines. A highly contentious issue which encompassed potential future regulation and the setting of wage protocols, which was becoming rapidly more urgent.
(Pages 14-17)
